Millioni 1627b

Millioni, Pietro

Seconda impressione
del quarto libro d'intavolatura di chitarra spagnola (1627)

I. Overview

Much of this book is made up of pieces from Millioni 1627a with ornamental strums, or trilli, added to them. There are also new pieces in different keys: there are 41 new pieces, 35 pieces from the earlier work with added trilli, and 9 pieces reprinted exactly.

Title: Seconda impressione del quarto libro d'intavolatura di chitarra spagnola. (Rome: Guglielmo Facciotti, 1627).

Description:
80 pp. in movable type
85 pieces
Foliation: (A)BCDE [8 ff.. each]
Page Size -- I-Bc: 16.2 cm. (width) X 10.2 cm.; GB-Lbl: 15.7 cm. (width) X 10 cm.

II. Prefatory Material

p. (1) -- SECONDA IMPRESSIONE DEL QUARTO LIBRO D'INTAVOLATURA DI CHITARRA SPAGNOLA. . . . [title page]

p. (2) -- [blank]

p. 3 -- DICHIARATIONE. Volendo dunque da se medesimo . . . [contents = Millioni 1627a]

p. 4 -- [alfabeto]

+AAtBBtCC5DDtEFGG3G5HH2H3H5IKK2K4K5
22033000002357123501245
20022002202357345723467
00000222121246345723467
03311331030135345722356
03303250010135123501245

 

LMM2M3M5NN2N3N5OPP2P5
3123534571347
1123512350347
0345712350125
3456812353125
3345745683125

[The Bt and K chords are not used. Other chords used in the tablature:]

G3Ct
50?
50?
42?
33?
30?

p. 5 -- Quando sarà posta bene . . . [= Millioni 1627a until "Quando si trovaranno delle sonate intavolate con Trilli . . ." ll.6-14 which explain his notation of the trillo]

p. 6 -- -gna anco allongare . . . [= Millioni 1627a until second paragraph: "Se alcuna persona volesse imparare a sonare tutte le sonate có trilli . . ." which explains the rhythmic value of the trillo.]

p. 7 -- questo modo . . . [finishes discussion of the trillo. Paragraphs 2 and 3 = Millioni 1627a]

p. 8 -- Quando è accordata . . . [= Millioni 1627a (typo on accordata in title of last stave]

III. Notation

Tablature: Alfabeto and stroke signs only; no meter or rhythm signs, or barlines. A right-hand trill is indicated as "t" at the level of strokes. Its value is value: 1 quarter note = 4 trilli.

Instrument: 5-course guitar

IV. Indices

Title information in brackets [ ] is editorial; information in parentheses ( ) is from the table of contents.

Index of Pieces:

PageTitleKeyMeterReprinted from:
p. 9Passacagli con trilli (per A)G[3/4]expansion of Millioni 1627a (p. 10) with trilliNote 1
p. 9Passacagli con trilli (per B)C[3/4]expansion of Millioni 1627a (p. 10) with trilli
p. 9Passacagli con trilli (per O)g[3/4]expansion of Millioni 1627a (p. 11) with trilli
p. 10Cacciona (Ciaccone) con trilli (per A)G[3/4]expansion of Millioni 1627a (p. 13) with trilli
p. 10Ciaccona con trilli (per G)F[3/4]expansion of Millioni 1627a (p. 13) with trilli
p. 11Bergamasca con trilli (per A)G[4/4]= Millioni 1627a (p. 15) with trilli
p. 11Bergamasca con più trilli (per A)G[4/4]= Millioni 1627a (p. 15) with trilli
p. 12Villan di Spagna con Trilli (per C)D[4/4]expansion of Millioni 1627a (p. 54) with trilli
p. 12(Villan di Spagna) Con più Trilli (per C)D[4/4]expansion of Millioni 1627a (p. 54) with trilli
p. 13Folias con Trilli (per A)G[3/4]= Millioni 1627a (p. 17) with trilli
p. 13Folias (per D)a[3/4] 
p. 14Folias con più Trilli (per A)G[3/4]= Millioni 1627a (p. 17) with trilli
p. 15Folias (per F)E[3/4] 
p. 15Pavaniglia con Trilli (per O)g[4/4]= Millioni 1627a (p. 19) with trilli
p. 15Pavaniglia (per D)a[4/4] 
p. 16Pavaniglia con più Trilli (per O)g[4/4]= Millioni 1627a (p. 19) with trilli
p. 16Pavaniglia (per F)E[4/4] 
p. 17Gagliarda (per I)A[3/2] 
p. 18Gagliarda con Trilli (per A)G[3/2]= Millioni 1627a (p. 21) with trilli
p. 19Gagliarda (per F)E[3/2] 
p. 20Ruggiero (per I)A[4/4] 
p. 21Ruggiero con Trilli (per A)G[4/4]= Millioni 1627a (p. 24) with trilli
p. 22Ruggiero (per F)E[4/4] 
p. 23Tenor di Napoli con Trilli (per A)G[4/4]= Millioni 1627a (p. 27) with trilli
p. 24Tenor di Napoli con più Trilli (per A)G[4/4]= Millioni 1627a (p. 27) with trilli
p. 25Tenor di Napoli (per I)A[4/4] 
p. 26Tenor di Napoli (per F)E[4/4] 
p. 27Pass'e mezzo con Trilli (per A)G[4/4]= Millioni 1627a (p. 35) with trilli
p. 28Pass'e mezzo con più Trilli (per A)G[4/4]= Millioni 1627a (p. 35) with trilli
p. 29Pass'e mezzo (per D)a[4/4] 
p. 30Pass'e mezzo (per F)E[4/4] 
p. 31Romanesca con Trilli (per H)g[4/4]= Millioni 1627a (p. 33) with trilli
p. 32Romanesca (per N)f[4/4] 
p. 33Fantinella con Trilli (per H)g[4/4]= Millioni 1627a (p. 38) with trilli
p. 34Fantinella (per A)e[4/4] 
p. 35Monicha con Trilli (per O)g[4/4]= Millioni 1627a (p. 43) with trilli
p. 36Monicha (per D)a[4/4] 
p. 37Marchetta con Trilli (per A)G[3/4]= Millioni 1627a (p. 39) with trilli
p. 37CiacconaG[3/4]= Millioni 1627a (p. 13, 39)
p. 38Marchetta con più Trilli (per A)G[3/4]= Millioni 1627a (p. 39) with trilli
p. 38CiacconaG[3/4]= Millioni 1627a (p. 13, 39)
p. 39Marchetta (per I)A[3/4] 
p. 39CiacconaA[3/4]= Millioni 1627a (p. 13)
p. 40Marchetta (per F)E[3/4] 
p. 40CiacconaE[3/4]= Millioni 1627a (p. 13)
p. 41Aria nova con Trilli (per H)g[3/4]= Millioni 1627a (p. 48) with trilli
p. 41Passacagliog[3/4]= Millioni 1627a (p. 11)
p. 42Aria Nova con più Trilli (per H)g[3/4]= Millioni 1627a (p. 48) with trilli
p. 42Passacagliog[3/4]= Millioni 1627a (p. 11)
p. 43Aria Nova (per N)f[3/4] 
p. 43PassacaglioF[3/4]= Millioni 1627a (p. 11)
p. 44Spagnoletta (per F)E[3/4] 
p. 45Spagnoletta con Trilli (per O)g[3/4]= Millioni 1627a (p. 44) with trilli
p. 46Spagnoletta con più Trilli (per O)g[3/4]= Millioni 1627a (p. 44) with trilli
p. 47Aria di Fiorenza con Trilli (per A)G[4/4]= Millioni 1627a (p. 50) with trilli
p. 48Aria di Fiorenza con più Trilli (per A)G[4/4]= Millioni 1627a (p. 50) with trilli
p. 49Aria di Fiorenza (per I)A[4/4] 
p. 50Aria di Fiorenza (per F)E[4/4] 
p. 51Zia Paula (per O)g[4/4?] 
p. 52Allegrezza d'Amore con Trilli (per C)D[3/4]= Millioni 1627a (p. 42) with trilli
p. 53Fiorita Valle (per H)g[4/4?] 
p. 54Brando di Malta con Trilli (per C)D[3/2?]= Millioni 1627a (p. 54) with trilli
p. 55O che bel stare vicino al mare (per H)F[3/4?] 
p. 56O che bel stare vicino al mare con Trilli (per H)F[3/4?] 
p. 57Clorida (per O)g[4/4?] 
p. 58Clorida con Trilli (per O)g[4/4?] 
p. 59Sinfonia (per O)g[3/4?] 
p. 60Sinfonia con Trilli (per O)g[3/4?] 
p. 61Altro non è il mio core (per G)F[4/4?] 
p. 61CiacconaF[3/4]= Millioni 1627a (p. 13)
p. 62Altro non è il mio core con Trilli (per G)F[4/4?] 
p. 62CiacconaF[3/4]= Millioni 1627a (p. 13)
p. 63Gagliarda Lombarda (per A)G[3/2] 
p. 64Gagliarda Lombarda con Trilli (per A)G[3/2] 
p. 65Girumetta (per C)D[4/4?] 
p. 65Canario (per E)d[4/4] 
p. 66Pass'e mezzo (per A)G[4/4] 
p. 68Pass'e mezzo (per E)d[4/4] 
p. 70Barriera con Trilli (per C)D[4/4]= Millioni 1627a (p. 58-60) with trilli
p. 73Gagliarda di quattro tempi con Trilli doppo la Barrierag[3/2]= Millioni 1627a (p. 61-62) with trilli
p. 74Canario (per E)d[4/4]= Millioni 1627a (p. 62) with trilli
p. 75Corrente Francese (per D)a[3/4] 
p. 76Corrente Francese (per O)g[3/4] 
p. 77Corrente Francese (per E)d[3/4] 
p. 78Godete Amanti con gagliarda (per A)G[3/2] 

Notes:

1. Trilli are ornamental strums that divide the normal rhythm into smaller groups. Return to text

Index of Genres:

The following chart summarizes the solo guitar contents of the book by genre. Major genres are given by the form used in the New Grove Dictionary of Music and Musicians, 2d ed., with the forms actually used in the book in parentheses. Lesser known titles are grouped under "miscellaneous dances" and "songs." Rhythmic variations and rotte are considered part of the main work.

 

Genres:totalmajorminormeter
miscellaneous songs . . . (Aria Nova, Zia Paula, Allegrezza d'Amore, Fiorita Valle, O che bel stare vicino al mare, Clorida, Altro non è il mio core, Godete Amanti con gagliarda)13676 in [3/4], 6 in [4/4], and 1 [3/2]
miscellaneous dances . . . (Tenor di Napoli, Marchetta, Girumetta)9905 in [4/4], and 4 in [3/4]
Chaconne (Cacciona, Ciaccona, Ciaccone)880[3/4]
Galliard (Gagliarda, Gagliarda Lombarda)651[3/2]
Passacaglia (Passacagli, Passacaglio)633[3/4]
Passamezzo (Pass'e mezzo)642[4/4]
Ballo del Gran Duca (Aria di Fiorenza)440[4/4]
Folia (Folias)431[3/4]
Pavaniglia413[4/4]
Corrente (Corrente Francese)303[3/4]
Ruggiero330[4/4]
Spagnoletta312[3/4]
Bergamasca220[4/4]
Canario202[4/4]
Fantinella202[4/4]
Monica (Monicha)202[4/4]
Romanesca202[4/4]
Sinfonia202[3/4]
Villano (Villan di Spagna)220[4/4]
Barriera110[4/4]
Brando (Brando di Malta)110[3/2?]
Totals:855332[4/4] = 41
[3/4] = 35
[3/2] = 8

 

Index of Keys Used:

Keys used in the book; an * indicates that the key is only used in a passacaglia. Note that the pitch is relative and that since the guitarist was using tablature, there was no need to think in terms of traditional key signatures.

A major6 A minor5
B flat major0 B flat minor0
B major0 B minor0
C major1* C minor0
C sharp major0 C sharp minor0
D major5 D minor4
E flat major0 E flat minor0
E major10 E minor1
F major8 F minor2
F sharp major0 F sharp minor0
G major23 G minor20
A flat major0 A flat minor0

Index of Names:

FACCIOTTI, Guglielmo [printer]
IN ROMA, Per Guglielmo Facciotti. 1627 . . . / p. (1)

MILLIONI, Pietro [composer]
SECONDA IMPRESSIONE DEL QUARTO LIBRO D'INTAVOLATURA DI CHITARRA SPAGNOLA. . . . Composto, e dato in luce dal medesimo Pietro Millioni. / p. (1)

V. Bibliography

Boye, Gary R. "Giovanni Battista Granata and the Development of Printed Guitar Music in Seventeenth-Century Italy" (diss., Duke Univeristy, 1995).

Boye, Gary R. "Performing Seventeenth-Century Italian Guitar Music: the Question of an Appropriate Stringing" in Performance on Lute, Guitar and Vihuela: Historical Practice and Modern Interpretation, ed. V.A. Coelho (Cambridge: Cambridge University Press, 1997).

Boye, Gary R. "The Case of the Purloined Letter Tablature: The 17th-Century Guitar Books of Foriano Pico and Pietro Millioni." Journal of Seventeenth-Century Music 11:1 (2005).

Hudson, Richard. Passacaglio and Ciaccona: From Guitar Music to Italian Keyboard Variations in the 17th Century (Ann Arbor, MI: UMI Research Press, 1981).

Répertoire international des sources musicales: Einzeldrucke vor 1800. RISM A/I [M 2838

Tyler, James, and Paul Sparks. The Guitar and Its Music: From the Renaissance to the Classical Era (Oxford: Oxford University Press, 2002): 86.

Weidlich, Joseph. "Battuto Performance Practice in Early Italian Guitar Music." Journal of the Lute Society of America 11 (1978): 63-86.

VI. Exemplars

GB-Lbl = Great Britain: London, The British Library (visited in 1992)

Condition: clean page edges with few stains or damage; some crooked printing but very legible

Binding: recent marroon hard-cover with gold trim; gold letters on spine: "P.MILLIONI. / SECONDA IMPRESSIONE DEL QUARTO / LIBRO D'INTAVOLATURA. ROMA. 1627."

Manuscript additions:
Spine: brown tape: "k.4" and "a9"
2 folios added at front

p. (1) -- "k.4.a.9" pencil
p. (2) -- red stamp: "BRITISH MUSEUM"
p. 78 -- red stamp: "BRITISH MUSEUM 16 JL 1901"
p. (80) -- red stamp: "BRITISH MUSEUM 16 JL 1901"

2 folios added at back

**Not listed in RISM.

 

I-Bc = Italy: Bologna, Civico Museo Bibliografico Musicale G. B. Martini (visited in 1991-1992)

Condition: pages darkened and stained but legible; fairly good corners and clean page edges; original pages with gold edges; visible especially from the bottom

Binding: recent marbled hard-cover with red/black/brown borders like Millioni 1627a; black band with gold letters on spine: "MILIONI / CHITARRA / SPAGNOL / 4"

Manuscript additions:
Cover -- blue tape: "AA 344"
Spine -- blue tape: "AA 344"
1 folio added at front; 4 at the end

p. (1) -- black stamp: "ARCHIVIO MUSICALE NEL LICEO DI BOLOGNA"
p. (80) -- black stamp: "LICEO MUSICALE G.B. MARTINI BIBLIOTECA BOLOGNA"


© Copyright Gary R. Boye 1995–2024

© Copyright Gary R. Boye 1995–2022

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