- Home
- Lute & Guitar
- Music for the Baroque Guitar
- Anonymous 1678
Novissime canzonette musicali de diversi auttori . . . (1678)
I. Overview
This edition equals pp. 17-44 of Millioni/Monte 1678, also printed by Zini. The book begins with a short section of songs (entitled "Canzonette del Vespesiano") with text only
Title: Novissime canzonette musicali de diversi auttori . . . (Venetia: il Zini, 1678).
Description:
48pp. in movable type
25 pieces [+ 18 songs]
Foliation: ABC (8 ff. each)
Page Size -- I-Rsc: 14.9 cm. (width) X 9.6 cm.
II. Prefatory Material
p. (1) -- NOVISSIME CANZONETTE MUSICALI DE DIVERSI AUTTORI. IN VENETIA, Per il Zini. 1678. Con Licenza de'Superiori."
p. (2) -- [blank]
[Alfabeto (from Millioni/Monte 1678):]
+ | A | B | C | D | E | F | G | H | I | L | M | N | O |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|
2 | 2 | 3 | 0 | 0 | 0 | 2 | 3 | 1 | 0 | 3 | 1 | 3 | 1 |
2 | 0 | 2 | 0 | 2 | 0 | 2 | 3 | 3 | 2 | 1 | 1 | 1 | 0 |
0 | 0 | 0 | 2 | 2 | 2 | 1 | 2 | 3 | 2 | 0 | 3 | 1 | 0 |
0 | 3 | 1 | 3 | 1 | 3 | 0 | 1 | 3 | 2 | 3 | 4 | 1 | 3 |
0 | 3 | 0 | 2 | 0 | 1 | 0 | 1 | 1 | 0 | 3 | 3 | 4 | 3 |
III. Notation
Tablature: Alfabeto and stroke signs only; no meter or rhythm signs, or barlines. Very bad stroke alignment--even worse than Millioni/Monte 1678. Songs on pp. 3-16: with text only.
Instrument: 5-course guitar
IV. Indices
Title information in brackets [ ] is editorial; information in parentheses ( ) is from the table of contents.
Page | Title | Key | Meter | Reprinted from: |
---|---|---|---|---|
p. 17 | Ruggiero | G | [4/4] | Millioni/Monte 1637, 1644, 1647, 1652, 1666, 1673a, and 1673b |
p. 17 | Villan di Spagna | D | [4/4] | Millioni 1627a (p. 54); Millioni/Monte 1637, 1644, 1647, 1652, 1666, 1673a, and 1673b |
p. 18 | Romanesca | g | [4/4] | Millioni/Monte 1637, 1644, 1647, 1652, 1666, 1673a, and 1673b |
p. 19 | Aria di Fiorenza | G | [4/4] | Millioni 1631 (p. 47); Millioni/Monte 1637, 1644, 1647, 1652, 1666, 1673a, and 1673b |
p. 20 | --Rotta della dett'Aria (dell'aria di Fiorenza) | G | [3/4] | Millioni 1631 (p. 48); Millioni/Monte 1637, 1644, 1647, 1652, 1666, 1673a, and 1673b |
p. 21 | Ballo del Monte Verde (verde) | a | [4/4?] | Millioni 1631 (p. 37); Millioni/Monte 1637, 1644, 1647, 1652, 1666, 1673a, and 1673b |
p. 22 | Spagnoletta | d | [3/4] | Millioni 1631 (p. 38); Millioni/Monte 1637, 1644, 1647, 1652, 1666, 1673a, and 1673b |
p. 23 | Pass' e mezzo | G | [4/4] | Millioni/Monte 1637, 1644, 1647, 1652, 1666, 1673a, and 1673b |
p. 24 | Pass' e mezzo | a | [4/4] | Millioni/Monte 1637, 1644, 1647, 1652, 1666, 1673a, and 1673b |
p. 25 | Ballo d'Ossona | F | [4/4?] | Millioni/Monte 1637, 1644, 1647, 1652, 1666, 1673a, and 1673b |
p. 26 | Ballo di Mantova | g | [4/4?] | Millioni/Monte 1637, 1644, 1647, 1652, 1666, 1673a, and 1673b |
p. 27 | Corrente Francese | a | [3/4] | Millioni/Monte 1637, 1644, 1647, 1652, 1666, 1673a, and 1673b |
p. 28 | Spagnoletta | g | [3/4] | Millioni/Monte 1637, 1644, 1647, 1652, 1666, 1673a, and 1673b |
p. 29 | --Seconda parte del retroscritto Ballo in gagliardaNote 1 | a | [3/2] | Millioni/Monte 1637, 1644, 1647, 1652, 1666, 1673a, and 1673b |
p. 30 | Corrente Francese | a | [3/4] | Millioni/Monte 1637, 1644, 1647, 1652, 1666, 1673a, and 1673b |
p. 31 | Bertazza di Montagna | e | [4/4?] | Millioni/Monte 1637, 1644, 1647, 1652, 1666, 1673a, and 1673b |
p. 33 | Balletto detto l'Allegro | d | C | Milanuzzi 1623 (p. 45) [!]; Millioni/Monte 1644, 1652, 1666, 1673a, and 1673b |
p. 34 | Balletto detto del Fiore | g | C | Milanuzzi 1623 (p. 45); Millioni/Monte 1644, 1652, 1666, 1673a, and 1673b |
p. 35 | Balletto detto il Romano | G | C | Milanuzzi 1623 (p. 46); Millioni/Monte 1644, 1652, 1666, 1673a, and 1673b |
p. 36 | Balletto detto il Corno [sic] | d | C | Milanuzzi 1623 (p. 46); Millioni/Monte 1644, 1652, 1666, 1673a, and 1673b |
p. 37 | Balletto detto il Conosco [sic] | f | C | Milanuzzi 1623 (p. 46); Millioni/Monte 1644, 1652, 1666, 1673a, and 1673b |
p. 38 | Spagnoletta in E | d | [3/4] | Milanuzzi 1623 (p. 47); Millioni/Monte 1644, 1652, 1666, 1673a, and 1673b |
p. 39 | Spagnoletta in O | g | [3/4] | Milanuzzi 1623 (p. 47); Millioni/Monte 1644, 1652, 1666, 1673a, and 1673b |
p. 40 | Balletto detto l'Aquino | G | [3/4] | Milanuzzi 1623 (p. 48); Millioni/Monte 1644, 1652, 1666, 1673a, and 1673b |
p. 41 | Balletto detto il Catanio | G | [3/4] | Milanuzzi 1623 (p. 48); Millioni/Monte 1644, 1652, 1666, 1673a, and 1673b |
p. 42 | Balletto detto il Rubino | E | C | Milanuzzi 1623 (p. 48); Millioni/Monte 1644, 1652, 1666, 1673a, and 1673b |
p. 43 | Ballo del gran Duca in G | F | C | Milanuzzi 1623 (p. 52); Millioni/Monte 1644, 1652, 1666, 1673a, and 1673b |
p. 44 | --Sciolta del Ballo | F | C | Milanuzzi 1623 (p. 52); Millioni/Monte 1644, 1652, 1666, 1673a, and 1673b |
Notes:
1. This piece should have come after the Ballo del Monte Verde on p. 21. Return to text
Index of Genres:
The following chart summarizes the solo guitar contents of the book by genre. Major genres are given by the form used in the New Grove Dictionary of Music and Musicians, 2d ed., with the forms actually used in the book in parentheses. Lesser known titles are grouped under "miscellaneous dances" and "songs." Rhythmic variations and rotte are considered part of the main work.
Genres (solo guitar only): | total | major | minor | meter |
---|---|---|---|---|
miscellaneous dances . . . (Ballo d'Ossona, Ballo di Mantova, Ballo del Monte Verde, Bertazza di Montagna, Balletto . . .) | 12 | 5 | 7 | 10 in [4/4] and 2 in [3/4] |
Spagnoletta | 4 | 0 | 4 | [3/4] |
Ballo del Gran Duca (Aria di Fiorenza) | 2 | 2 | 0 | [4/4] |
Corrente (Francese) | 2 | 0 | 2 | [3/4] |
Passamezzo (Pass'e mezzo) | 2 | 1 | 1 | [4/4] |
Ruggiero | 1 | 1 | 0 | [4/4] |
Romanesca | 1 | 0 | 1 | [4/4] |
Villano (Vilan di Spagna) | 1 | 1 | 0 | [4/4] |
Totals: | 25 | 10 | 15 | [4/4] = 17 [3/4] = 8 |
Index of Keys Used:
Keys used in the book; an * indicates that the key is only used in a passacaglia. Note that the pitch is relative and that since the guitarist was using tablature, there was no need to think in terms of traditional key signatures.
A major | 0 | A minor | 4 | |
B flat major | 0 | B flat minor | 0 | |
B major | 0 | B minor | 0 | |
C major | 0 | C minor | 0 | |
C sharp major | 0 | C sharp minor | 0 | |
D major | 1 | D minor | 4 | |
E flat major | 0 | E flat minor | 0 | |
E major | 1 | E minor | 1 | |
F major | 2 | F minor | 1 | |
F sharp major | 0 | F sharp minor | 0 | |
G major | 6 | G minor | 5 | |
A flat major | 0 | A flat minor | 0 |
Index of Names:
ZINI, [G]iacomo
. . . IN VENETIA, Per il Zini. 1678. / p. (1)
V. Bibliography
Boye, Gary R. "Giovanni Battista Granata and the Development of Printed Guitar Music in Seventeenth-Century Italy" (diss., Duke Univeristy, 1995).
Hudson, Richard. Passacaglio and Ciaccona: From Guitar Music to Italian Keyboard Variations in the 17th Century (Ann Arbor, MI: UMI Research Press, 1981).
Tyler, James, and Paul Sparks. The Guitar and Its Music: From the Renaissance to the Classical Era (Oxford: Oxford University Press, 2002): 87.
Weidlich, Joseph. "Battuto Performance Practice in Early Italian Guitar Music." Journal of the Lute Society of America 11 (1978): 63-86.
VI. Exemplars
I-Rsc = Italy: Roma, Conservatorio di Santa Cecilia, Biblioteca Musicale Governativa (visited in 1992)
Condition: Darkened pages with very ragged corners; some pages partially missing (e.g., pp. 15-16).
Binding: Recent multi-colored hardback.
Manuscript additions:
Spine -- white tape w/ blue: "32"; white tape w/ red: "REGIA ACCADEMIA DI SANTA CECILIA BIBLIOTECA A.C.S. (ink:) 1 A.37"
Inside front cover – white tape w/ red: "REGIA ACCADEMIA DI SANTA CECILIA BIBLIOTECA C.S.01 A 20" with purple stamp: "ANNULATO"; white tape w/ blue: "R. BIBLIOTECA MUSICALE GOVERNATIVA DI S. CECILIA "
1 added folio at front
p. 3 -- "Musica del Pallassicius [?] Carlo . . ." faded pencil
p. 9 -- [blurred purple stamp and:] "P.a. Bussaui [?] Siacionu [?] / Autorio J. Sartorio 1678 Gasparo" pencil
"FINE" old ink
1 added folio at back
inside back cover -- faded note in pencil [illegible]