- Home
- Lute & Guitar
- Music for the Baroque Guitar
- Millioni 1627b
Seconda impressione
del quarto libro d'intavolatura di chitarra spagnola (1627)
I. Overview
Much of this book is made up of pieces from Millioni 1627a with ornamental strums, or trilli, added to them. There are also new pieces in different keys: there are 41 new pieces, 35 pieces from the earlier work with added trilli, and 9 pieces reprinted exactly.
Title: Seconda impressione del quarto libro d'intavolatura di chitarra spagnola. (Rome: Guglielmo Facciotti, 1627).
Description:
80 pp. in movable type
85 pieces
Foliation: (A)BCDE [8 ff.. each]
Page Size -- I-Bc: 16.2 cm. (width) X 10.2 cm.; GB-Lbl: 15.7 cm. (width) X 10 cm.
II. Prefatory Material
p. (1) -- SECONDA IMPRESSIONE DEL QUARTO LIBRO D'INTAVOLATURA DI CHITARRA SPAGNOLA. . . . [title page]
p. (2) -- [blank]
p. 3 -- DICHIARATIONE. Volendo dunque da se medesimo . . . [contents = Millioni 1627a]
p. 4 -- [alfabeto]
+ | A | At | B | Bt | C | C5 | D | Dt | E | F | G | G3 | G5 | H | H2 | H3 | H5 | I | K | K2 | K4 | K5 |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
2 | 2 | 0 | 3 | 3 | 0 | 0 | 0 | 0 | 0 | 2 | 3 | 5 | 7 | 1 | 2 | 3 | 5 | 0 | 1 | 2 | 4 | 5 |
2 | 0 | 0 | 2 | 2 | 0 | 0 | 2 | 2 | 0 | 2 | 3 | 5 | 7 | 3 | 4 | 5 | 7 | 2 | 3 | 4 | 6 | 7 |
0 | 0 | 0 | 0 | 0 | 2 | 2 | 2 | 1 | 2 | 1 | 2 | 4 | 6 | 3 | 4 | 5 | 7 | 2 | 3 | 4 | 6 | 7 |
0 | 3 | 3 | 1 | 1 | 3 | 3 | 1 | 0 | 3 | 0 | 1 | 3 | 5 | 3 | 4 | 5 | 7 | 2 | 2 | 3 | 5 | 6 |
0 | 3 | 3 | 0 | 3 | 2 | 5 | 0 | 0 | 1 | 0 | 1 | 3 | 5 | 1 | 2 | 3 | 5 | 0 | 1 | 2 | 4 | 5 |
L | M | M2 | M3 | M5 | N | N2 | N3 | N5 | O | P | P2 | P5 |
---|---|---|---|---|---|---|---|---|---|---|---|---|
3 | 1 | 2 | 3 | 5 | 3 | 4 | 5 | 7 | 1 | 3 | 4 | 7 |
1 | 1 | 2 | 3 | 5 | 1 | 2 | 3 | 5 | 0 | 3 | 4 | 7 |
0 | 3 | 4 | 5 | 7 | 1 | 2 | 3 | 5 | 0 | 1 | 2 | 5 |
3 | 4 | 5 | 6 | 8 | 1 | 2 | 3 | 5 | 3 | 1 | 2 | 5 |
3 | 3 | 4 | 5 | 7 | 4 | 5 | 6 | 8 | 3 | 1 | 2 | 5 |
[The Bt and K chords are not used. Other chords used in the tablature:]
G3 | Ct |
5 | 0? |
5 | 0? |
4 | 2? |
3 | 3? |
3 | 0? |
p. 5 -- Quando sarà posta bene . . . [= Millioni 1627a until "Quando si trovaranno delle sonate intavolate con Trilli . . ." ll.6-14 which explain his notation of the trillo]
p. 6 -- -gna anco allongare . . . [= Millioni 1627a until second paragraph: "Se alcuna persona volesse imparare a sonare tutte le sonate có trilli . . ." which explains the rhythmic value of the trillo.]
p. 7 -- questo modo . . . [finishes discussion of the trillo. Paragraphs 2 and 3 = Millioni 1627a]
p. 8 -- Quando è accordata . . . [= Millioni 1627a (typo on accordata in title of last stave]
III. Notation
Tablature: Alfabeto and stroke signs only; no meter or rhythm signs, or barlines. A right-hand trill is indicated as "t" at the level of strokes. Its value is value: 1 quarter note = 4 trilli.
Instrument: 5-course guitar
IV. Indices
Title information in brackets [ ] is editorial; information in parentheses ( ) is from the table of contents.
Page | Title | Key | Meter | Reprinted from: |
p. 9 | Passacagli con trilli (per A) | G | [3/4] | expansion of Millioni 1627a (p. 10) with trilliNote 1 |
p. 9 | Passacagli con trilli (per B) | C | [3/4] | expansion of Millioni 1627a (p. 10) with trilli |
p. 9 | Passacagli con trilli (per O) | g | [3/4] | expansion of Millioni 1627a (p. 11) with trilli |
p. 10 | Cacciona (Ciaccone) con trilli (per A) | G | [3/4] | expansion of Millioni 1627a (p. 13) with trilli |
p. 10 | Ciaccona con trilli (per G) | F | [3/4] | expansion of Millioni 1627a (p. 13) with trilli |
p. 11 | Bergamasca con trilli (per A) | G | [4/4] | = Millioni 1627a (p. 15) with trilli |
p. 11 | Bergamasca con più trilli (per A) | G | [4/4] | = Millioni 1627a (p. 15) with trilli |
p. 12 | Villan di Spagna con Trilli (per C) | D | [4/4] | expansion of Millioni 1627a (p. 54) with trilli |
p. 12 | (Villan di Spagna) Con più Trilli (per C) | D | [4/4] | expansion of Millioni 1627a (p. 54) with trilli |
p. 13 | Folias con Trilli (per A) | G | [3/4] | = Millioni 1627a (p. 17) with trilli |
p. 13 | Folias (per D) | a | [3/4] | |
p. 14 | Folias con più Trilli (per A) | G | [3/4] | = Millioni 1627a (p. 17) with trilli |
p. 15 | Folias (per F) | E | [3/4] | |
p. 15 | Pavaniglia con Trilli (per O) | g | [4/4] | = Millioni 1627a (p. 19) with trilli |
p. 15 | Pavaniglia (per D) | a | [4/4] | |
p. 16 | Pavaniglia con più Trilli (per O) | g | [4/4] | = Millioni 1627a (p. 19) with trilli |
p. 16 | Pavaniglia (per F) | E | [4/4] | |
p. 17 | Gagliarda (per I) | A | [3/2] | |
p. 18 | Gagliarda con Trilli (per A) | G | [3/2] | = Millioni 1627a (p. 21) with trilli |
p. 19 | Gagliarda (per F) | E | [3/2] | |
p. 20 | Ruggiero (per I) | A | [4/4] | |
p. 21 | Ruggiero con Trilli (per A) | G | [4/4] | = Millioni 1627a (p. 24) with trilli |
p. 22 | Ruggiero (per F) | E | [4/4] | |
p. 23 | Tenor di Napoli con Trilli (per A) | G | [4/4] | = Millioni 1627a (p. 27) with trilli |
p. 24 | Tenor di Napoli con più Trilli (per A) | G | [4/4] | = Millioni 1627a (p. 27) with trilli |
p. 25 | Tenor di Napoli (per I) | A | [4/4] | |
p. 26 | Tenor di Napoli (per F) | E | [4/4] | |
p. 27 | Pass'e mezzo con Trilli (per A) | G | [4/4] | = Millioni 1627a (p. 35) with trilli |
p. 28 | Pass'e mezzo con più Trilli (per A) | G | [4/4] | = Millioni 1627a (p. 35) with trilli |
p. 29 | Pass'e mezzo (per D) | a | [4/4] | |
p. 30 | Pass'e mezzo (per F) | E | [4/4] | |
p. 31 | Romanesca con Trilli (per H) | g | [4/4] | = Millioni 1627a (p. 33) with trilli |
p. 32 | Romanesca (per N) | f | [4/4] | |
p. 33 | Fantinella con Trilli (per H) | g | [4/4] | = Millioni 1627a (p. 38) with trilli |
p. 34 | Fantinella (per A) | e | [4/4] | |
p. 35 | Monicha con Trilli (per O) | g | [4/4] | = Millioni 1627a (p. 43) with trilli |
p. 36 | Monicha (per D) | a | [4/4] | |
p. 37 | Marchetta con Trilli (per A) | G | [3/4] | = Millioni 1627a (p. 39) with trilli |
p. 37 | Ciaccona | G | [3/4] | = Millioni 1627a (p. 13, 39) |
p. 38 | Marchetta con più Trilli (per A) | G | [3/4] | = Millioni 1627a (p. 39) with trilli |
p. 38 | Ciaccona | G | [3/4] | = Millioni 1627a (p. 13, 39) |
p. 39 | Marchetta (per I) | A | [3/4] | |
p. 39 | Ciaccona | A | [3/4] | = Millioni 1627a (p. 13) |
p. 40 | Marchetta (per F) | E | [3/4] | |
p. 40 | Ciaccona | E | [3/4] | = Millioni 1627a (p. 13) |
p. 41 | Aria nova con Trilli (per H) | g | [3/4] | = Millioni 1627a (p. 48) with trilli |
p. 41 | Passacaglio | g | [3/4] | = Millioni 1627a (p. 11) |
p. 42 | Aria Nova con più Trilli (per H) | g | [3/4] | = Millioni 1627a (p. 48) with trilli |
p. 42 | Passacaglio | g | [3/4] | = Millioni 1627a (p. 11) |
p. 43 | Aria Nova (per N) | f | [3/4] | |
p. 43 | Passacaglio | F | [3/4] | = Millioni 1627a (p. 11) |
p. 44 | Spagnoletta (per F) | E | [3/4] | |
p. 45 | Spagnoletta con Trilli (per O) | g | [3/4] | = Millioni 1627a (p. 44) with trilli |
p. 46 | Spagnoletta con più Trilli (per O) | g | [3/4] | = Millioni 1627a (p. 44) with trilli |
p. 47 | Aria di Fiorenza con Trilli (per A) | G | [4/4] | = Millioni 1627a (p. 50) with trilli |
p. 48 | Aria di Fiorenza con più Trilli (per A) | G | [4/4] | = Millioni 1627a (p. 50) with trilli |
p. 49 | Aria di Fiorenza (per I) | A | [4/4] | |
p. 50 | Aria di Fiorenza (per F) | E | [4/4] | |
p. 51 | Zia Paula (per O) | g | [4/4?] | |
p. 52 | Allegrezza d'Amore con Trilli (per C) | D | [3/4] | = Millioni 1627a (p. 42) with trilli |
p. 53 | Fiorita Valle (per H) | g | [4/4?] | |
p. 54 | Brando di Malta con Trilli (per C) | D | [3/2?] | = Millioni 1627a (p. 54) with trilli |
p. 55 | O che bel stare vicino al mare (per H) | F | [3/4?] | |
p. 56 | O che bel stare vicino al mare con Trilli (per H) | F | [3/4?] | |
p. 57 | Clorida (per O) | g | [4/4?] | |
p. 58 | Clorida con Trilli (per O) | g | [4/4?] | |
p. 59 | Sinfonia (per O) | g | [3/4?] | |
p. 60 | Sinfonia con Trilli (per O) | g | [3/4?] | |
p. 61 | Altro non è il mio core (per G) | F | [4/4?] | |
p. 61 | Ciaccona | F | [3/4] | = Millioni 1627a (p. 13) |
p. 62 | Altro non è il mio core con Trilli (per G) | F | [4/4?] | |
p. 62 | Ciaccona | F | [3/4] | = Millioni 1627a (p. 13) |
p. 63 | Gagliarda Lombarda (per A) | G | [3/2] | |
p. 64 | Gagliarda Lombarda con Trilli (per A) | G | [3/2] | |
p. 65 | Girumetta (per C) | D | [4/4?] | |
p. 65 | Canario (per E) | d | [4/4] | |
p. 66 | Pass'e mezzo (per A) | G | [4/4] | |
p. 68 | Pass'e mezzo (per E) | d | [4/4] | |
p. 70 | Barriera con Trilli (per C) | D | [4/4] | = Millioni 1627a (p. 58-60) with trilli |
p. 73 | Gagliarda di quattro tempi con Trilli doppo la Barriera | g | [3/2] | = Millioni 1627a (p. 61-62) with trilli |
p. 74 | Canario (per E) | d | [4/4] | = Millioni 1627a (p. 62) with trilli |
p. 75 | Corrente Francese (per D) | a | [3/4] | |
p. 76 | Corrente Francese (per O) | g | [3/4] | |
p. 77 | Corrente Francese (per E) | d | [3/4] | |
p. 78 | Godete Amanti con gagliarda (per A) | G | [3/2] |
1. Trilli are ornamental strums that divide the normal rhythm into smaller groups. Return to text
Index of Genres:
The following chart summarizes the solo guitar contents of the book by genre. Major genres are given by the form used in the New Grove Dictionary of Music and Musicians, 2d ed., with the forms actually used in the book in parentheses. Lesser known titles are grouped under "miscellaneous dances" and "songs." Rhythmic variations and rotte are considered part of the main work.
Genres: | total | major | minor | meter |
---|---|---|---|---|
miscellaneous songs . . . (Aria Nova, Zia Paula, Allegrezza d'Amore, Fiorita Valle, O che bel stare vicino al mare, Clorida, Altro non è il mio core, Godete Amanti con gagliarda) | 13 | 6 | 7 | 6 in [3/4], 6 in [4/4], and 1 [3/2] |
miscellaneous dances . . . (Tenor di Napoli, Marchetta, Girumetta) | 9 | 9 | 0 | 5 in [4/4], and 4 in [3/4] |
Chaconne (Cacciona, Ciaccona, Ciaccone) | 8 | 8 | 0 | [3/4] |
Galliard (Gagliarda, Gagliarda Lombarda) | 6 | 5 | 1 | [3/2] |
Passacaglia (Passacagli, Passacaglio) | 6 | 3 | 3 | [3/4] |
Passamezzo (Pass'e mezzo) | 6 | 4 | 2 | [4/4] |
Ballo del Gran Duca (Aria di Fiorenza) | 4 | 4 | 0 | [4/4] |
Folia (Folias) | 4 | 3 | 1 | [3/4] |
Pavaniglia | 4 | 1 | 3 | [4/4] |
Corrente (Corrente Francese) | 3 | 0 | 3 | [3/4] |
Ruggiero | 3 | 3 | 0 | [4/4] |
Spagnoletta | 3 | 1 | 2 | [3/4] |
Bergamasca | 2 | 2 | 0 | [4/4] |
Canario | 2 | 0 | 2 | [4/4] |
Fantinella | 2 | 0 | 2 | [4/4] |
Monica (Monicha) | 2 | 0 | 2 | [4/4] |
Romanesca | 2 | 0 | 2 | [4/4] |
Sinfonia | 2 | 0 | 2 | [3/4] |
Villano (Villan di Spagna) | 2 | 2 | 0 | [4/4] |
Barriera | 1 | 1 | 0 | [4/4] |
Brando (Brando di Malta) | 1 | 1 | 0 | [3/2?] |
Totals: | 85 | 53 | 32 | [4/4] = 41 [3/4] = 35 [3/2] = 8 |
Index of Keys Used:
Keys used in the book; an * indicates that the key is only used in a passacaglia. Note that the pitch is relative and that since the guitarist was using tablature, there was no need to think in terms of traditional key signatures.
A major | 6 | A minor | 5 | |
B flat major | 0 | B flat minor | 0 | |
B major | 0 | B minor | 0 | |
C major | 1* | C minor | 0 | |
C sharp major | 0 | C sharp minor | 0 | |
D major | 5 | D minor | 4 | |
E flat major | 0 | E flat minor | 0 | |
E major | 10 | E minor | 1 | |
F major | 8 | F minor | 2 | |
F sharp major | 0 | F sharp minor | 0 | |
G major | 23 | G minor | 20 | |
A flat major | 0 | A flat minor | 0 |
Index of Names:
FACCIOTTI, Guglielmo [printer]
IN ROMA, Per Guglielmo Facciotti. 1627 . . . / p. (1)
MILLIONI, Pietro [composer]
SECONDA IMPRESSIONE DEL QUARTO LIBRO D'INTAVOLATURA DI CHITARRA SPAGNOLA. . . . Composto, e dato in luce dal medesimo Pietro Millioni. / p. (1)
V. Bibliography
Boye, Gary R. "Giovanni Battista Granata and the Development of Printed Guitar Music in Seventeenth-Century Italy" (diss., Duke Univeristy, 1995).
Boye, Gary R. "Performing Seventeenth-Century Italian Guitar Music: the Question of an Appropriate Stringing" in Performance on Lute, Guitar and Vihuela: Historical Practice and Modern Interpretation, ed. V.A. Coelho (Cambridge: Cambridge University Press, 1997).
Boye, Gary R. "The Case of the Purloined Letter Tablature: The 17th-Century Guitar Books of Foriano Pico and Pietro Millioni." Journal of Seventeenth-Century Music 11:1 (2005).
Hudson, Richard. Passacaglio and Ciaccona: From Guitar Music to Italian Keyboard Variations in the 17th Century (Ann Arbor, MI: UMI Research Press, 1981).
Répertoire international des sources musicales: Einzeldrucke vor 1800. RISM A/I [M 2838
Tyler, James, and Paul Sparks. The Guitar and Its Music: From the Renaissance to the Classical Era (Oxford: Oxford University Press, 2002): 86.
Weidlich, Joseph. "Battuto Performance Practice in Early Italian Guitar Music." Journal of the Lute Society of America 11 (1978): 63-86.
VI. Exemplars
GB-Lbl = Great Britain: London, The British Library (visited in 1992)
Condition: clean page edges with few stains or damage; some crooked printing but very legible
Binding: recent marroon hard-cover with gold trim; gold letters on spine: "P.MILLIONI. / SECONDA IMPRESSIONE DEL QUARTO / LIBRO D'INTAVOLATURA. ROMA. 1627."
Manuscript additions:
Spine: brown tape: "k.4" and "a9"
2 folios added at front
p. (1) -- "k.4.a.9" pencil
p. (2) -- red stamp: "BRITISH MUSEUM"
p. 78 -- red stamp: "BRITISH MUSEUM 16 JL 1901"
p. (80) -- red stamp: "BRITISH MUSEUM 16 JL 1901"
2 folios added at back
**Not listed in RISM.
I-Bc = Italy: Bologna, Civico Museo Bibliografico Musicale G. B. Martini (visited in 1991-1992)
Condition: pages darkened and stained but legible; fairly good corners and clean page edges; original pages with gold edges; visible especially from the bottom
Binding: recent marbled hard-cover with red/black/brown borders like Millioni 1627a; black band with gold letters on spine: "MILIONI / CHITARRA / SPAGNOL / 4"
Manuscript additions:
Cover -- blue tape: "AA 344"
Spine -- blue tape: "AA 344"
1 folio added at front; 4 at the end
p. (1) -- black stamp: "ARCHIVIO MUSICALE NEL LICEO DI BOLOGNA"
p. (80) -- black stamp: "LICEO MUSICALE G.B. MARTINI BIBLIOTECA BOLOGNA"